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The project frames desire as a methodology, a persistent, joyful drive to see, touch, and know past narratives even as material memory breaks down. 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exhibition concludes with Yongjie Hu’s \"Cake Boy,\" a nuanced exploration of intimacy, displacement, and familial silence. Tracking his relationship with his partner as they relocated from China to London, Hu uses portraits, still lifes, and staged photographs to map the fluid emotional states of queer connection. The work navigates the liberating physical distance of a new environment alongside the enduring emotional weight of expectations from the families left behind. Ultimately, Hu positions the act of facing oneself honestly and celebrating a tender, everyday love as one of the most powerful gestures of contemporary queer 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latest photobooks picks by Der Greif",[],{"_key":4505,"_type":330,"children":4506,"markDefs":4520,"style":338},"8d5a6bf8cd8f",[4507,4511,4516],{"_key":4508,"_type":334,"marks":4509,"text":4510},"3054bfb5e77f0",[],"“In Focus” is Der Greif’s photobook review series, spotlights our picks from the current open call for submissions and our community artists' most recent publications. This month, we bring out of our shelf a duo of photobooks on the preservation of certain community practices between reality and cultural myth and the performativity of fighting in today’s culture: “Like Father, Like Son” by Anna Aicher and “American Beef” by ",{"_key":4512,"_type":334,"marks":4513,"text":4515},"5fb5d5cba1c4",[4514],"080671a8b15d","Lorenzo Bacci",{"_key":4517,"_type":334,"marks":4518,"text":4519},"07586bf7ce98",[]," and Marcel Swann.",[4521],{"_key":4514,"_type":3736,"button":53,"newWindow":72,"url":4522},"https://dergreif.org/search?result=Lorenzo+Bacci+%26+Flavio+Moriniello",{"_key":4524,"_type":330,"children":4525,"markDefs":4530,"style":338},"8a2b4b6d9f21",[4526],{"_key":4527,"_type":334,"marks":4528,"text":4529},"79dee988d84b0",[],"From the traditional rites of passage of lower Bavarian and Austrian village life to the high-stakes adrenaline of American backyard fight clubs, the quest for identity is often written on the body and the culture inscribed within physically-intensive traditions. Though separated by miles and different cultural contexts, both works grapple with the same question: How do certain places inform rituals and eventually shape masculinity and the spectacle of its performance today?",[],{"_key":4532,"_type":330,"children":4533,"markDefs":4538,"style":338},"03ef8ca16322",[4534],{"_key":4535,"_type":334,"marks":4536,"text":4537},"38f2fe6b0c060",[],"In “American Beef,” Lorenzo Bacci and Marcel Swann present a stark narration of the ‘Streetbeefs’ phenomenon. Observed over the course of two years in Virginia, this project reveals the complexity of the United States as a fragmented, heterogeneous mosaic. The work emerges as a constellation of elements shaping a narrative prism through which the deep-seated contradictions of the contemporary American landscape are exposed. Founded in Harrisonburg by Chris ‘Scarface’ Wilmore, this fight club offers a model where violence is confined to an arena with the specific goal of resolving interpersonal conflicts without the use of firearms. This creates a paradoxical dynamic where the human body turns into the primary instrument of conflict resolution and physical violence gets elevated to a codified ritual, anchored in a framework of rules and respect.",[],{"_key":4540,"_type":394,"modules":4541},"32eeca006005",[4542,4571,4600,4630,4658],{"_key":4543,"_type":398,"artist":183,"caption":4384,"image":4544},"cb99d75050b9",{"_type":8,"asset":4545,"metadata":4547,"title":183},{"_ref":4546,"_type":11},"image-cf2bde3702e5b837fde7a5f8b67ac36a01d59ff1-1013x1350-jpg",{"_type":344,"blurHash":4548,"dimensions":4549,"hasAlpha":53,"isOpaque":72,"lqip":4550,"palette":4551,"thumbHash":4570},"d~PFcqkWxGs:t7o}R*jF?^niSfofsAn4s:W;kWWBV@WB",{"_type":347,"aspectRatio":4391,"height":4392,"width":4393},"data:image/jpeg;base64,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",{"_type":351,"darkMuted":4552,"darkVibrant":4555,"dominant":4558,"lightMuted":4559,"lightVibrant":4562,"muted":4565,"vibrant":4567},{"_type":353,"background":4553,"foreground":355,"population":4554,"title":355},"#4a2927",4.08,{"_type":353,"background":4556,"foreground":355,"population":4557,"title":355},"#741721",4.84,{"_type":353,"background":4556,"foreground":355,"population":4557,"title":355},{"_type":353,"background":4560,"foreground":362,"population":4561,"title":355},"#d6bbbf",0.73,{"_type":353,"background":4563,"foreground":355,"population":4564,"title":355},"#ef3f52",1.97,{"_type":353,"background":4566,"foreground":355,"population":359,"title":355},"#5c7494",{"_type":353,"background":4568,"foreground":355,"population":4569,"title":355},"#dc3444",4.17,"q2gWFQyIiJh393d4h3h3ZqVGUGoE",{"_key":4572,"_type":398,"artist":183,"caption":4573,"image":4574},"adabd73ddde1","\"Audience\", 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As Streetbeefs’ popularity grows, the so-called ‘beefs’ are increasingly joined by amateur athletes who enter the ring to perform carefully constructed personas. In this ecosystem, an online presence is a way to affirm one’s existence through amplification of this double. The fight becomes an experience that repeats into multiple chambers of spectacle. Beyond merely marking the end of a conflict, the video uploaded online becomes a permanent digital record: a certification of resolution that transforms a fleeting event into a permanent archive with a global reach. In our current digital ecology, the image has become a form of currency where the line between ‘being’ and ‘being seen’ blurs. “American Beef” embraces the hyper-mediated chaos of the internet era. Its industrial layout, clashing textures and a glossy dust jacket expose how modern violence is purposefully staged for virtual circulation. With cover design by the renowned Paul Sahre and image sequencing by Federico Manias, American Beef is built to mimic the raw, fast-paced nature of the Virginia backyard fight club phenomenon. This juxtaposition of a gritty, utilitarian staple binding with a slick, high-gloss exterior perfectly mirrors the subject matter: a gritty backyard brawl built specifically to stream globally on digital screens. 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