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Schavemaker",{"_type":415,"current":1849},"annet-dekker--margriet-schavemaker",{"_createdAt":1851,"_id":1852,"_rev":1853,"_system":1854,"_type":317,"_updatedAt":1857,"additionalbody":183,"body":1858,"contributorRefs":1907,"date":1955,"exhibits":1956,"image":3343,"logoBlocks":3346,"nextEntry":3375,"secondImage":3376,"seo":3379,"slug":3382,"title":3383},"2026-05-28T09:43:36Z","f68faa90-2eb9-45b2-a4e5-53807c90163b","JrS8m2AfylQ1NZCOORjF0B",{"base":1855},{"id":1852,"rev":1856},"SmD26a0dazEYpyKQlckluZ","2026-07-17T08:34:23Z",[1859,1867,1875,1883,1891,1899],{"_key":1860,"_type":322,"children":1861,"markDefs":1866,"style":330},"e3eaaa2cf08c",[1862],{"_key":1863,"_type":326,"marks":1864,"text":1865},"b86f439cd5810",[],"Guest room is a format that fosters collaboration and sparks creative exchange. For this edition, curators Auronda Scalera and Alfredo Cramerotti explore \"Shifting Thresholds\".",[],{"_key":1868,"_type":322,"children":1869,"markDefs":1874,"style":330},"108ddc24b15b",[1870],{"_key":1871,"_type":326,"marks":1872,"text":1873},"8d05d004c4820",[],"\"We live in a time when the ground beneath us, political, social, technological, ecological, and even perceptual, feels in constant motion. Borders shift, narratives fracture, and the coordinates through which we orient ourselves are repeatedly unsettled. In such conditions, images often register these transformations before language can fully articulate them. Like seismographs of the present, images capture subtle tremors of displacement: movements of people, identities, landscapes, and systems of meaning.",[],{"_key":1876,"_type":322,"children":1877,"markDefs":1882,"style":330},"66cf1d4d4753",[1878],{"_key":1879,"_type":326,"marks":1880,"text":1881},"c534c6e967770",[],"For this Guest Room, we delve into photographic and image-based works that engage with displacement as both a lived experience and an aesthetic condition. Displacement may emerge through migration, body transformation, exile or environmental change, but also through more subtle forms: the dislocation produced by digital mediation, algorithmic vision, and the fragmentation of attention in contemporary image cultures. We are interested in artists who explore how images themselves can shift, circulate, and transform across contexts, platforms, and geographies.",[],{"_key":1884,"_type":322,"children":1885,"markDefs":1890,"style":330},"921317b8cc2c",[1886],{"_key":1887,"_type":326,"marks":1888,"text":1889},"c0d7888839d10",[],"In this sense, displacement is like a method. Images may act simultaneously as anchors and agents of movement: stabilizing fragile memories while opening new perceptual thresholds. They can reveal how identities and territories are continuously renegotiated, and how visual practices might resist fixed narratives by embracing ambiguity, opacity, and multiplicity.",[],{"_key":1892,"_type":322,"children":1893,"markDefs":1898,"style":330},"3b1b846ba4d2",[1894],{"_key":1895,"_type":326,"marks":1896,"text":1897},"1d3ee29f9a010",[],"Rather than documenting instability from a distance, the works we seek inhabit it. They explore how images respond to uncertainty, how they translate rupture into form, and how they imagine alternative ways of inhabiting a world defined by movement and transformation. We are particularly drawn to practices that experiment with the image as a site of negotiation: images that fracture, migrate, repeat, or mutate; images that hold together multiple temporalities or perspectives. In this sense, instability becomes a challenge and a space of potential, an opening through which new visual languages and new imaginaries of collective life can emerge.",[],{"_key":1900,"_type":322,"children":1901,"markDefs":1906,"style":330},"406b13bf79bf",[1902],{"_key":1903,"_type":326,"marks":1904,"text":1905},"cf8fe8e7de5b0",[],"How can images articulate forms of displacement, migration, technological mediation, ecological change, or emotional estrangement? And how might they also propose new forms of orientation within a constantly moving world?\"",[],[1908],{"_createdAt":1909,"_id":1910,"_rev":1911,"_type":355,"_updatedAt":1912,"body":1913,"image":1922,"name":1949,"slug":1952,"title":1954},"2026-06-03T11:48:06Z","a6d383f3-7787-4538-852b-e522100806dd","YfQJI8En3lafPIBJ8dAf9o","2026-06-03T11:49:54Z",[1914],{"_key":1915,"_type":322,"children":1916,"markDefs":1921,"style":330},"cc18b0d9d4c1",[1917],{"_key":1918,"_type":326,"marks":1919,"text":1920},"09fcd1a76b7e0",[],"Auronda Scalera and Dr. Alfredo Cramerotti are a dynamic curatorial duo at the forefront of art and new technologies. Together, they have redefined the intersection of contemporary art and digital innovation, curating projects like Art Dubai Digital 2024 and the global exhibition project, \"Web to Verse\". As curators and directors of the platform Multiplicity-Art in Digital, they focus on diversity, inclusion, and the integration of advanced technologies within the art world. Their work spans from being jury members for the Lumen Prize to contributing to significant discussions on the impact of Web3 and the metaverse, often appearing at prestigious events like the World Economic Forum and the UK Parliament. Their approach to curation is rooted in the idea that art and technology are co-creators of a future where creativity knows no boundaries. 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