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For this edition, Assistant Curator of Photography at SFMOMA Shana Lopes and artist Aspen Mays introduce the theme \"A Little Bit of Magic\".",[],"normal",{"_key":332,"_type":322,"children":333,"markDefs":338,"style":330},"4d87e8133658",[334],{"_key":335,"_type":326,"marks":336,"text":337},"3a9bac1592520",[],"\"Since its invention in 1839, photography has been called a 'magic mirror' and even a form of 'natural magic.' The earliest viewers struggled to explain how light, chemistry, and optics could produce such convincing illusions. 'Magic' became the easiest way to describe what no one quite understood. In every generation of photographers, there have always been some artists who have turned away from the documentary characteristics of the medium to instead create images that challenge the logic of the real world. Again and again, they return to magic and, in so doing, bring spectacle and wonder back into photography.",[],{"_key":340,"_type":322,"children":341,"markDefs":346,"style":330},"54a9b952c157",[342],{"_key":343,"_type":326,"marks":344,"text":345},"686e28ece0b50",[],"We invited artists to consider how magic functions within photography today. What happens when the medium feels overly rational or even the opposite, wildly implausible? Where do artists reinsert illusion and misdirection back into their work? 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For this edition, Arles-based Alejandro León Cannock (Director, Manuel Rivera-Ortiz Foundation and Delphine Manjard (Director, Librairie du Palais) are exploring the theme \"Have You Checked Your Screen Time? Forms and Logics of Excess.\"",[],{"_key":2004,"_type":322,"children":2005,"markDefs":2010,"style":330},"72e1b31a8b01",[2006],{"_key":2007,"_type":326,"marks":2008,"text":2009},"18b4e021d3ae0",[],"This edition of Guest Room brings together photographic projects that deal with excess not as a topic, but as a condition of the present. Excess is understood as a core logic of today’s capitalist system. Photography becomes a method to question, expose, and reflect on this condition, even when doing so also puts the photographic image itself into question. 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